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ABOUT ME Elizabeth Broadbent (she/her) is the author of Ink Vine (Undertaker Books), Ninety-Eight Sabers (Undertaker Books), Blood Cypress (Raw Dog Screaming Press), Tigers of Greater Antarctica (Sley House Publications, 2026), and Breaking Neverland (Sley House Publications, 2026). Her speculative fiction has appeared with Hyphenpunk , Tales to Terrify , If There's Anyone Left , Penumbric , and The Cafe Irreal , among other places. During her long career as a journalist, her nonfiction appeared in places such as The Washington Post , Insider , Time, and ADDitude Magazine . She has appeared on MSNBC, CNN, BBC World News, NPR's All Things Considered , and Canadian National Public Radio. An exile from South Carolina swamp country, she lives in Richmond with her best friend/husband, her three sons, four cats, two dogs, and a flock of crows.

Elizabeth Broadbent's fiction, novels, and literary writing. Selected Horror Essays Why We Need More Queer Female Southern Gothic Horror , Ginger Nuts of Horror The Past is Never Dead: Southern Gothic and Child Abuse , Nighttide Magazine Night Country: A Dark, Powerful Feminine Mirror , Ginger Nuts of Horror Review: Moonflow by Bitter Karella , Cemetery Dance Review: Fever Dreams of a Parasite by Pedro Iniguez , Cemetery Dance

Elizabeth Broadbent's horror, sci-fi, and slipstream short stories. click to read Nixon Returns The Cafe Irreal George Washington's Teeth (Copperfield Review Quarterly) How to Birth a Billionaire, Antipodean SF The Canyon, Antipodean SF How to Become an Octopus , How to Become an Octopus Three Ways Elvis Didn't Die , Bewildering Stories The Woman, Antipodean SF The Statue of Liberty, Antipodean SF

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Purchase at Raw Dog Screaming Press Purchase on Amazon Purchase at Barnes and Noble No one cares when Lila Carson’s ten-year-old brother Beau disappears. He can’t speak. He throws tantrums. He’s a useless Carson, one of those kids in a broken-shuttered house that lost its glory when his father died. When the sheriff and his good ol’ boy deputies show up to investigate, they eye up Lila and call her twin brother names. A closeted bisexual girl in the South, Lila's terrified. Lower Congaree recites it like an eleventh commandment: Don’t go in that swamp. But as the long night drags on, it’s clear Beau disappeared behind those ancient trees. The sheriff’s deputies refuse to go back there. Lila might not have a choice. Raw Dog Screaming Press, April 2025 "Can't Miss Indie Press Speculative Fiction ," Reactor, March 2025 "Genre-Stretching Works of Fiction ," Publishers Weekly, April 2025 Praise for Blood Cypress “Broadbent brings this warped novella to a close with a series of stunning final twists—including a devastating reveal about who is narrating the story. This is coming-of-age fiction at its creepiest.” Publishers Weekly Read the full review "Elizabeth Broadbent doesn’t just waltz up to trauma—she stomps in with a lit cigarette dangling from her lip, a box of gasoline-soaked matches in one hand, and a middle finger raised in the other. By the time she’s done with Blood Cypress, the seventh gut-punch in the Selected Papers from the Consortium for the Study of Anomalous Phenomena series, you’re either sobbing into your beer, reeling like you’ve been slapped by a wet gator, or sniffing your bathroom tiles wondering if that mildew’s hiding your grandma’s pissed-off ghost." The Blog without A Face Read the full review “With echoes of Lee’s To Kill a Mockingbird, Eliza Broadbent’s southern gothic, Blood Cypress, seethes with swamp-rot and small-town prejudice. Dark and lush and deeply, deeply disturbing, it’s an exquisite tale of grief and trauma, solidifying Broadbent’s place as a champion for the outsider. A revelation.” Lee Murray, five-time Bram Stoker Award®-winning author of Grotesque: Monster Stories “Broadbent’s storytelling is equal parts captivating and unnerving. Blood Cypress is a magnificently layered tale where gender and sexualty dynamics are intricately woven into a poignant southern gothic layered atop a devastating family tragedy. Her carefully crafted words grip you by the throat and squeeze.” L. Marie Wood, award-winning author of The Realm Trilogy and The Promise Keeper “Elizabeth Broadbent discovers a creek that connects directly to Michael McDowell’s Blackwater mythos, leading readers through this beautiful backwater novella. This missing child manhunt is steeped in so much southern gothic, it feels like Faulkner, O’Connor, and Sheperd have all joined the search party.” Clay McLeod Chapman, author of Wake Up and Open Your Eyes “Mesmerizing! Broadbent weaves a tale about the pain of growing up ‘different’ and the desperation of a failing family legacy. Much like the swamp at its center, this story is filled with southern heat, twists and turns, and insidious monsters waiting to swallow you whole.”—Aimee Hardy, author of Pocket Full of Teeth “Like the dark swamp at its heart, this book melds Southern Gothic with folk horror in a delightful way. A bold, assured narrative voice that will lure readers into its fetid darkness.” Tim McGregor, author of Eynhallow

Click on a book to learn more Ink Vine Undertaker Books 2024 Blood Cypress Raw Dog Screaming Press 2025 Ninety-Eight Sabers Undertaker Books 2024 Coming Soon Tigers of Greater Antarctica Sley House Publications March 2026 Breaking Neverland Sley House Publications June 2026

A cyberpunk novel with shades of Less Than Zero and The Great Gatsby Celebrity rock duo Hale and Jones spent eighteen years shielding their kids from the paparazzi. But when the superstars are jailed for murder, Bowie Hale and the Jones twins are thrust into a world they never imagined. They've never been to school. They've rarely seen outsiders. The shelter trio find themselves abandoned with nothing but a pile of money, their fathers' Russian manager, and a bossy public relations AI. Forced to pander to tabloid whim, Bowie, John-John, and Sky venture into the wider world. Paparazzi swarms, and the celebrity whirl of drugs, sex, and fame threatens to drag them under—especially John-John. They promised their dads they'd take care of each other. But as dangerous secrets threaten to tear them apart, Bowie and Sky are determined to save her twin. Even if means sacrificing each other. Breaking Neverland Cover by Drew Huff coming soon! June 2026 from Sley House Publications March 2026 from Sley House Publications Tigers of Greater Antarctica Cover by Drew Huff coming soon! A cyberpunk anthology set in the world of Breaking Neverland Wreck divers plunder the drowned city of New Orleans. A fashion model discusses life with an angry pod of dolphins. A tragic accident leaves teenagers to negotiate death and artificial consciousness. Trees speak. Robots become prostitutes. This collection of interconnected shorts explores stories of sentience and consciousness, hope and disconnection in a futuristic world all too like our own. Who counts as human? What does that mean? Where can we turn in a world of technological isolation? Includes unpublished novelettes, unpublished shorts, and uncollected stories.

Social: Patrick Barb: Twitter*: @pbarb Instagram: @patrick_barb Bluesky: @patrickbarb.bsky.social TikTok: @Patrick_Barb J.A.W. McCarthy: Twitter: @JAWMcCarthy Instagram: @jawmccarthy Bluesky: @jawmcarthy.bluesky.social Dreadstone Press : Twitter: @DreadStonePress Instagram: @dreadstonepress *It'll always be Twitter to me. Split Scream Volume 3 Patrick Barb & J.A.W. McCarthy Dreadstone Press’s Split Scream series has a simple premise: put two thematically similar novellas together, like an old-school double feature. Split Scream volumes one and two were great—Volume Two, with M. Lopez da Silva’s What Ate the Angels might be my favorite. Split Scream Volume Three, with novelettes by indie standouts Patrick Bard and J.A.W. McCarthy, rocks as hard as the first two. Admittedly, I’m an easy mark for these books. As the world wakes up the hard-punching power of a good novella or shorter novelette, I’m cheering it on, though they’ve always been more accepted in the horror genre, probably thanks to the triune forces of magazines, serializations, and Stephen King. These bite-size books make a perfect afternoon read—I beach-read Volume Three. Though indie horror novellas tend toward the literary side, they don’t demand the hard braining and intellectual will I often need to summon when I sit down with a full-length work. Call me lazy, but I like it. That lessened investment, I think, gives the reader more incentive to work with concepts like narrative disorientation (a key point in Barb’s So Quiet, So White) and shifting timelines (part of McCarthy’s Image Expulsio: The Red Animal of Our Blood). With less space, we know the answer’s coming soon; we don’t have to spend sixty to a hundred pages wondering what the hell’s going on before we settle into the story. There’s a time and place for that, and I love those works, too. But sometimes, I want to nestle into world more quickly. Another reason I’m a sucker for Split Scream Volume Three: its theme is art and artists, specifically how we use it in community (check out Collage Macabre as well if the theme holds specific appeal). Barb’s atmospheric novella is a disorienting, creepy-vibed delight, with its dreary-dark-woods setting playing a major role. Barb’s a master at building tension and picking apart family dynamics; this novella lets those talents shine. McCarthy’s dual timelines build to a stunning conclusion. Both go in exactly the right directions. You won’t see the endings coming, but you’ll shut the book (Kindle) satisfied: Yes, I thought at the end of each. That’s what had to happen. It’s the only thing that could possibly happen. There’s a little glow that comes with that. You’re pleased with the story, pleased that its conclusion wrapped up so well, that it came together so neatly. I held back a grin at the end of each—yes, they were horrifying in the right ways. But they’re perfectly so. Both works ask what we’ll do for love and what we’re willing to give to others. Answer: probably more than we should, but we’ll give it willingly. While Barb shows it in a familial context, McCarthy delves into relationships. Despite their thematic similarities, the works are very different, not only in point of view (Barb’s is third person, McCarthy’s a terrifyingly immediate first), but also in gender and tone. Both serve up some fantastic dread—you know these won’t end well—and while Barb’s slow atmospheric dread draws the reader along, Image Expulsio’s dual timeline will keep you going with its sheer otherness. Both get weirder as they go along, and that’s a very, very good thing. Novellas are good. Weird novellas are even better. Pick this one up from Dreadstone so you don’t give bucks to to ‘Zon. Read it on the beach for a serious horror power move. Buy the book: https://dreadstonepress.com/split-scream/volume-three/ The 'Zon: https://www.amazon.com/Split-Scream-Three-Patrick-Barb-ebook/dp/B0C6TRF9GL/

Elizabeth Broadbent Southern Gothic Science Fiction Journalism Click books to purchase, read, and more

Promise : Christi Nogle Split Scream Volume Three: Patrick Barb & J.A.W. McCarthy

Promise: Christi Nogle Socials: Christi Nogle: Twitter*:@christinogle Instagram:@christinogle Bluesky: @christinogle.bsky.social TikTok: @christinogle0 Flame Tree Press: Twitter*: @flametreepress Instagram: @flametreepress TikTok: @flametreepress *It’ll always be Twitter to me. I’ve rarely seen such an apt title as Christi Nogle’s Promise: A Collection of Weird Science Fiction Short Stories (Flame Tree Press): She promises a collection of weird, and holy hell does this book deliver. My review won’t do it justice; this book deserves a review as weird as it is, and I can’t figure out how to deliver. As often as I review short story collections, I usually only pick the ones I’ll like. In general, I’m ambivalent on anthologies as form. Sometimes they work well (see: Aseptic and Faintly Sadistic ), and sometimes they’re wildly uneven (no names here, sorry). There’s not a stinker in this one. Even my least-favorite story, “Laurel’s First Chase,” more horror than sci-fi, still stands as a solid short with a unique voice, lush prose, and a damn good plot. My “least-favorite” status comes from a simple reason: it’s horror rather than sci-fi, and I’m currently digging her stellar sci-fi. This collection is weird as hell. Nogle’s concepts are stratospheric; she combines beautiful writing with bizarre set-ups whose sheer whirl will send you reeling. “Substance”, originally published in Fusion Fragment , wins the prize as the weirdest story I’ve ever read. I can’t even begin to explain its concept. She wins weird. Other than “Substance,” I can’t pick a favorite. It’s that good. With her recent Stoker win for Beulah , Nogle’s star is on the rise. Promise shows she’s a master of the short story as well—both horror and sci-fi, usually both at once. That’s another of Promise ’s strengths: Nogle’s wizard at a combination of sci-fi and horror—a trick that often falls flat in the wrong hands. Score another for both Nogle and Flame Tree Press, and pick up Promise when it releases September 12th. Like Beulah, this one’s a must-read. Buy the book : https://www.amazon.com/Promise-Christi-Nogle-ebook/dp/B0BZ9J1BFN/

Essays by writer and author Elizabeth Broadbent Selected Journalism and Essays A Mother's White Privilege , Huffington Post, Scary Mommy, etc. currently used as an anti-racism teaching tool by The Anti-Defamation League, the Unitarian Universalist Church, Quakers, the Catholic Church, numerous universities (including Miami and Northwestern), as well as international textbooks. It has also been used for speech competitions and high school classes. We Made the Biggest Purchase of Our Lives, Sight Unseen , The Washington Post Headlined the Sunday supplement on real estate My Breasts, My Choice: Why I'm Nursing My Three-Year-Old , Time Magazine I May Look Fine, But I Need My Service Dog With Me for Panic Attacks , The Washington Post The Talk: How Parents of All Backgrounds Tell Kids About the Police , NPR's All Things Considered Post Ferguson: Talk to Your Kids About Race and Class , CNN What Normal Looks Like , The Huffington Post 15% Of Americans Believe In Q-Anon — WTF?! , Scary Mommy Alex Murdaugh Now Admits To Paying 'Suicide' Hit Man , Scary Mommy , Yahoo News Alex Gets Shot In Head, Resigns From Law Firm , Scary Mommy , Yahoo News The 'Cocaine Bear' Movie's A Go ... And Based On A Weird True Story , Scary Mommy Inattentive ADHD, According to a 12-Year-Old Boy , ADDitude Magzine Top-25 all time ADDitude Magazine articles 9 Mean Teacher Comments Every Student with ADHD Knows Too Well , ADDitude Magzine Top-25 all time ADDitude Magazine articles